| A |
Glossary |
| Abang |
Tagalog
term used in the Filipino Martial Arts meaning to wait defensively. |
| Abaniko sa Itaas |
Tagalog,
Upper flywheel also spelled Abanico
sa Itaas. |
Abaniko
(also Abanico) |
From the Spanish word for fan, this term is used in the
Filipino Martial Arts to describe a method of striking with
the stick in which the power of the strike is generated by the
supposition or pronation of the wrist, rather than the force
of the arm at the elbow. |
| Abecedario |
From the Spanish for "a-b-c's," a term
is used in the Filipino Martial Arts, Abecedario drills are
the basics which create and foster the skills and coordination
essential for fighting with and without weapons.
|
| Abierta |
From the Spanish, this term is used in the Filipino
Martial Arts to refer to meaning Open
or Open Position.
|
| Advantage
Of The Sword |
English, Fencing term. A fencer has the advantage
of the sword when his blade is situated in such a way as to
enjoy the mechanical advantage of the lever when intersecting
the opponent's.
Key: when the two blades intersect, the one that is met closer
to the hilt has the advantage.
Example: if fencer A places the second part of his
blade against B's third part, A enjoys the advantage
of the sword. The advantage of the sword is extremely important
in classical Italian rapier, and all the attacks, defenses,
guards and counterguards depend on this subtle hinge-point.
|
|
Aenken
|
Thai, Anklet, protecting
instep and shin.
|
| Affondo |
Italian,
an extending step thrust (a form of lunge). |
| Agaw |
Tagalog
term used in the Filipino Martial Arts meaning to seize, disarm
or take away. |
| Agaw-Sandata |
Tagalog,
Disarming and retrieval of the weapon. |
| Age Uke |
Japanese,
Rising block. Also known as a high or upper block. |
| Ago Ate |
Japanese,
a term describing a ballistic form of Irimi
Nage, where the palm is extended to lever or strike against
the opponent's chin. |
| Ahop |
Korean,
Nine. |
| Ai |
Japanese,
sponsoring harmony, a harmonious relationship. |
| Aiki |
Japanese,
Harmony meeting. When one combines an opponents' energy with
their own for control. |
| Aikido |
Japanese,
Literally, "Meeting spirit way." A Martial Art developed
by Uyeshiba Morihei in the 1930's. Based on Aikijutsu,
Aikido is considered a non-aggressive art, using the opponents'
energy against them. An Aikidoist in
practice attempts to involve his partner in turning around his
center axis. |
| Aikidoist |
Japanese,
See Aikidoka. |
| Aikidoka |
Japanese,
One who practices Aikido, sometimes referred
to as Aikidoist. |
| Aikijutsu |
Japanese,
Technique of harmonious spirit. A branch of ancient Jujutsu
from which Aikido was developed. |
| Aikinage |
Japanese,
A throw used in Aikido, see Kokyonage.
|
| Aite |
Japanese,
"Opponent" or "partner. An adversary in a contest.
American Karate- hybrid form of traditional Karate founded in
the United States which adopts techniques from all styles and
develops them to meet the indigenous needs of the American practitioner. |
| Aiuchi |
Japanese,
Mutual striking down or simultaneous point. A simultaneous score
by both competitors in the sport aspects of Japanese
Martial Arts. |
| Al
La Macchia |
Italian,
A less formal rough-and-tumble duel "out in the woods"
often by groups as well as individuals. |
| Ala
Mazza |
Italian,
See Al la macchia. |
| Aldabis |
Tagalog,
Diagonal Cut, Strike or Uppercut. |
| Allez |
French,
fencing term, see Fence. |
| Allez! |
French,
(al-LEY) Literally, "Go!" The referee's command for fighters
to begin fighting. |
| Alphabeto |
From the Spanish,
Literally; Alphabet - The Basics. Sometimes spelled Alpabeto. |
| Alt |
Italian,
see Halt. |
| Alto |
Spanish,
see Halt. |
| Alto
y Bajo |
Literally, "high and low," this term is taken
from the Spanish, and refers not only to lines of attack,
but also, more symbolically to a level of skill in training
where the combinations and concepts become more complex than
in the initial stages of training.
|
| Amarra |
Short count striking combinations used in the Filipino Martial
Arts to teach students how to efficiently harness the momentum
of the stick in striking.
|
| Amassa
Pao |
Portuguese,
Brazilian Jiu Jitsu term, thrusting
choke, from the mount. |
| Americana |
Portuguese,
Brazilian Jiu Jitsu term, V-Armlock,
sometimes referred to as a Key lock. |
| Anak
Harimau |
Bahasay Indonesian,
Literally, Son of the Tiger. Usually referring to either a sub-system
or a definite posture (usually kneeling and/or lower to the
ground). |
|
Andap
|
Thai, term used
in Thai Boxing meaning Ratings.
|
| Angling |
English, The act of evading strikes through proper
footwork and body movement.
|
| Anim |
Tagalog,
Six |
| Anino |
Tagalog,
Shadow |
| Anj
Yo |
Korean
phrase, Come to kneeling position, used in Tae Kwon Do. |
| Ankyo |
Japanese,
a wrist locking technique used in Aikido. |
| Annelets |
Referring to
parts of a sword. One term for the Arms-of-the-Hilt,
protective Quillons rings over
the Ricasso |
| Anneu |
Referring to
parts of a sword. The side-ring (Ring Guard or Port) on a Compound-Hilt
sword. |
| Annun
Sogi |
Korean,
Sitting stance, also referred to as Riding stance, used in Tae
Kwon Do. |
| Antas |
Tagalog, Level or Degree, having to do with Rank.
|
| Antaw |
Tagalog,
Long Range |
| Antei |
Japanese,
Balance, stability, or equilibrium. |
| Anyo |
Form. Dance-like
techniques practiced in the Filipino art of Arnis.
|
| Ap |
Korean,
Front. |
| Ap Chagi |
Korean, Front
kick. Also known as Apcha Busigi (front
snap kick.) |
| Apat |
Tagalog,
Four |
| Apcha
Busigi |
Korean,
lead leg front snap kick. |
| Apcha
Munchugi |
Korean,
front checking kick. |
| Apcha
Olligi |
Korean,
front rising kick. |
| Araw |
Tagalog,
Sun or Day. |
| Arbir |
An Indonesian
halberd weapon of Pentjak-Silat approximately five feet in length
that features a shallow groove in the plane of the blade running
the length of the shaft. |
| Arbitre |
French,
Referee, term common to Savate. |
| Arco |
A strike used
in Doce Pares Eskrima which harnesses the momentum of the stick
moved in a circular manner (inward to inward) to add power to
the strike. Also sometimes spelled Arko. |
| Arit |
An Indonesian
term for a common sickle-like edged weapon with a pronounced
half-moon blade shape, sometimes used in pairs. |
| Arms-of-the-Hilt |
English,
Referring to parts of a sword. The finger rings extending from
the Quillons to the blade, often attached
to a ring guard, they are mistakenly often called the Pas
d'ane although this has long been proved incorrect |
| Arnis
De Mano |
From
the Spanish, meaning "Harness or Seize the Hand"
referring to the system of Filipino Martial Arts known as Arnis. This term references the methods
of trapping characteristic of this system. |
| Arnisador |
From
the Spanish, Stick Fighter. |
| Aroon
Sa Wadee |
Thai,
Good morning |
| Arrebatar |
Spanish,
a fencing term referring to the use of powerful strokes with
a cut and thrust sword, where the power of the stroke is delivered
from the shoulder, rather than from the elbow or wrist (long
arc). |
| Arrête |
French,
see Halt. |
| Arriere |
French,
Rear, Behind, Backward motion. |
| Art
of Fence |
English,
See Fence. |
| Ashi |
Japanese,
Leg or foot. |
| Ashi Ate |
Japanese,
Foot strikes or leg strikes. |
| Ashi Barai |
Japanese,
foot sweep. |
| Ashi Dome |
Japanese,
foot stop, using the sole of the foot to check the forward momentum
of an attacker's kicking leg or body. |
| Ashi Gatami |
Japanese,
Leg lock. |
| Ashi No Ura |
Japanese,
Sole of the foot. |
| Ashi Sabaki |
Japanese,
Footwork or foot movement. |
| Ashi Waza |
Japanese,
Foot techniques. |
| Assaut |
French,
Light contact contest emphasizing technical skill. |
| Atajo |
Spanish,
A term used in the Spanish fencing schools, the idea
of taking control of the opponent's blade, essentially a Prise
de Fer. |
| Atama |
Japanese,
Head, or more specifically, top of the head. |
| Ate |
Japanese,
a strike with the hand. |
| Atemi |
Japanese:
to strike, a strike. |
| Atemi Waza |
Japanese,
Methods or techniques of striking, a term used in Judo,
Aikido, and Japanese Karate
systems. |
| Atras |
From
the Spanish, to retreat or move backward. |
| Attaccare
Di Spada |
Italian, Attaching swords. In fencing, the act of
pushing forcefully against each other's blade in order to
eventually shove the opponent's sword out of the way.
This, according to Fabris, is a very poor technique that
can make a sword bout degenerate into a wrestling match. For
this (and many other reasons), Fabris advocates never to make
contact with the opponent's blade unless forced to parry.
|
| Attack-from-Compound |
English,
A compound attack, to deliver an attack following a quick succession
of prior ones. |
| Attack-from-Counter |
English,
A counter attack, a retaliatory attack in reaction to one initiated
by the adversary and timed to take advantage of the opening
thus created. |
| Attack-from-Inaction |
English,
An attack delivered quickly from a relatively still position
without prior action or preparation. |
| Attack-from-Preparation |
English,
An attack delivered following a prepatory action (Feint,
Beat, Cut-Over,
etc). |
| Au |
To encounter
an opponent in any Japanese Martial Arts contest. |
| Au
Centre! |
French,
(oh SON-trh) Literally, "To the center! The referee's command
for fighters to leave their corners and meet in the center of
the ring. |
| Autorise |
French,
Allowed, authorized. |
| Avante |
From
the Spanish, to Advance or Move Forward. |
| Avertissement! |
French,
(ah-vehr-teess-MON) Literally, "Warning! The referee's way of
telling a fighter he has received a warning. Warnings can be
given for a variety of reasons, including the use of blows which
are not proper savate or insufficient aggressiveness. |
| Azioni
Volanti |
Italian,
a fencing term referring to the act of avoiding blade contact
on the attack and instead thrusting by deceptive motion, as
in camineering (may involve Troumpement - avoiding a parry or
the blade as you attack, or. |