| C |
Glossary |
| Caballero |
Filipino
term referring to techniques from Grandmaster Caballero. |
| Cadena
de Mano |
From
the Spanish, literally, "Chain of the Hands"
a tern referring to the ability to flow from one attack to another
intuitively and efficiently, both with weapons and empty-hands.
Also referred to as De Cadena. |
| Cadena
Real |
Spanish,
see Cambiada. |
| Cambiada |
From the Spanish,
a term used to describe a technique in the Filipino Martial
Arts known as the "Change-up."
The defender takes a high #1 angle, making contact with the
opponent's arm, changing with forward pressure to a quick backhand
angle. |
| Camineering |
a change of
engagement or in the line of threat/attack. |
| Capoeira |
A Brazilian
form of combat adapted by African slaves to fight oppression.
Capoeira is dance-like, and many believe it was developed this
way to be disguised as a dance to the slave owners. |
| Caprice |
French,
the bell guard of a modern sabre. |
| Carenza |
A form of shadowboxing utilized to internalize actions and create
new perspectives, used in the Filipino Martial Arts. |
| Carera |
A Filipino
term describing a cycling movement or spin. |
| Cartel |
a hand delivered
written notice of challenge describing the cause of the offence
that provoked a duel of honor. |
| Casque |
French,
Headguard. |
| Cavazione |
since it combines a forward motion and a semi-circular one.
One of the most serious modern misconceptions about the trade
or cavazione is that of equating it with a circular parry.
This idea originated in the 19th Century, when the first fencing
historians such as Castle researched old martial arts texts
in order to find the supposed "family tree of contemporary
fencing techniques. The classical Italian rapier cavazione
is not a parry, although it can incorporate one if the tactical
situation calls for it.
"trade) the action of exchanging or switching sides on the
opponent's sword, from left to right or vice versa, under
or over, without making contact with it.
|
| Cedere
Di Spada |
(Yielding of
the sword) The act of ceding to the pressure of the opponent's
blade while attaching swords (see above), in order to let the
opponent's sword fall out of line while your own goes to the
attack. Fabris advocates this technique as the best one to adopt
in the event of an attachment of swords. |
| Centerline |
English, An imaginary reference line that divides
the opponent down the center within the fighter's line of
sight. This line is used in both attack and defense, and is
also used as a reference from which to judge the direction
or the opponent's pressure amidst trapping sequences.
|
| Centro |
From the Spanish,
Center. |
| Centro
Baston |
From
the Spanish, Holding the stick in the middle. |
| Cerrada |
From the Spanish,
Close, closed fighting position, closed striking. |
| Cha Chuan |
A northern Chinese
form of Kung Fu developed from 14th
to 17th century by Muslims of Sinkiang, Chinghai, and Kansu,
in the west and south of China. In this system, practitioners
fight from long range using high, long leaps to close the gap. |
| Chado |
Japanese,
art of the Tea Ceremony, one of the arts comprising the practice
of Bushido. |
| Chagi |
Korean,
to kick, a kick. |
| Chai |
Japanese,
to abandon or put down. |
|
Chaikrong
|
Thai, Floating
ribs, a target in Thai Boxing.
|
|
Champ
|
Thai, a term used in Thai Boxing referring to the Champion. |
| Chan
Ma Chark Saha Rat |
1. Thai, "I am from
the U.S.,"
2. Thai, "I can't speak Thai."
|
| Chan
Mai Khao Chai |
Thai,
"I don't understand." |
| Chan
Pood Dai Tae Pasa Anglish |
Thai,
"I speak English." |
| Chan
Shue |
Thai,
"My name is..." |
| Chang
Sao |
Cantonese,
"Spade hand" technique. |
| Charyot
Sogi |
Korean,
Attention stance, a term used in Tae Kwon Do. |
| Chashi |
A Chinese
exercise tool once made of iron and more recently of cement.
These block-like objects, with handles, are used in one- and
two-hand exercises to strengthen the wrists and arms. |
| Chassé |
French,
(sha-SEY) From the same root as the French verb chasser,
Literally, to chase away, driving or forcing away. A pushing
kick (thrown either laterally - Chasse
Lateral, or frontally - Chasse
Frontal) performed by chambering the leg up to the shoulder,
then pistoning it out towards the opponent in such a way that
the sole of the foot strikes the targeted body part and drives
the opponent out of range. |
| Chassé
Bas |
French,
(sha-SEY BA) A chassé aimed at either of the opponent's thighs. |
| Chassé
D'Arret |
French,
A stopping kick to the body. |
| Chassé
Figure |
French,
(sha-SEY fee-GURE) A chassé aimed at the opponent's face. |
| Chassé
Frontal |
French,
(sha-SEY lah-tey-RAHL) A chassé, targeted at any of the three
major areas, which is thrown straight forward, so that the toe
points upwards. |
| Chassé
Italien |
French,
(sha-SEY ee-tal-YEHN) A chassé aimed at the opponent's inner
thigh, with the toe pointed at the opponent's groin. Contrast
the chassé bas lateral, which targets the front of the thigh. |
| Chassé
Lateral |
French,
(sha-SEY lah-tey-RAHL) A chassé, targeted at any of the three
major areas, which is thrown with the leg turned sideways so
that the foot is horizontal. |
| Chassé
Median |
French,
(sha-SEY med-YAHN) A chassé aimed at the opponent's midriff,
side, or liver. |
| Chassé
Tournant |
French,
(sha-SEY tour-NONH) A spinning chassé. Further definition to
come. |
| Chaussure |
French,
Footwear. |
| Ched |
Thai,
Seven. |
| Cheriot |
Korean,
a command used in Tae Kwon Do, Attention! |
| Chi |
1. Chinese, internal energy.
Sometimes spelled Ch'i. In Japanese, Ki,
this term also refers to Wisdom. Many cultures have a term
to describe this concept, which is also known as Astral Light,
Arealoha, Archeus, Baraka, Bioenergy, Bioplasma, Qi,
Ki, Ecknakar, Elma, God, Huna, Ka,
Kerei, Mana, Mumia, Mungo, Nervous Ether, Numen, Odic Force,
Orenda, Paraelectricity, Pneuma, Prana, Reiki, Spiritus, Syntropy,
Tinh, Tondi, Vis Naturalis, and Wakan.
2. A biophysical energy generated through breathing techniques
studied in Chi Gung, Kung
Fu, and other martial practices. Ideally, Chi can infuse
a person with tremendous vitality and make him or her extremely
powerful in action, much moreso than power developed through
the muscular system alone.
|
| Chi
Gerk |
Cantonese,
sticking legs exercise, akin to Chi
Sao, but on the low line. |
| Chi
Gung |
Cantonese,
The practice and cultivation of Chi.
A meditative and internal form of exercise common to many Chinese
Martial Arts. Sometimes spelled Qi Qong,
Qi Gong, Chi
Kung. See Chi. |
| Chi
Sao |
Cantonese, Sticking Hands, A drill used in the Jun
Fan Martial Arts and Wing Chun Kung Fu, a drill designed to
create an awareness of pressures involved in trapping, while
developing intuitive response patterns for offense and defense
in this paradigm.
|
| Chi Kung |
Chinese,
A breathing exercise that cultivates chi and transmits it
to all the bodily organs. Known in ancient China as "the method
to repel illness and prolong life. See Chi
Gung. |
| Chiamata,
Invito |
Invite) The
act of deliberately making a tempo or offering an opening to
the opponent in order to lure him to attack – and then beat
him with a contratempo (see definition). Be careful not to make
too wide an opening as you perform an invite, says Fabris; otherwise,
the likelihood of a "double is very real. |
| Chiang |
Spear. One of
the major Chinese weapons practiced in Wu
Shu. |
|
Chiang Mai
|
Thai, Provincial capital in the North. Second largest
city in Thailand |
| Chiburi |
Japanese,
Removing blood from the sword. In Iaido
(way of the sword), a sharp downward stroke of the sword done
in such a way as to shake off the blood accumulated from previous
cutting actions. |
| Chien |
Chinese,
A double-edged sword used in many styles of Kung
Fu. Also known as the "Gim" or "Jyan." |
| Chikara |
Japanese,
"Strength" or "power." |
| Chikuto |
Japanese,
see Shinnai. |
| Chimpan |
Japanese,
The referee of a match. Also known as "Shimban,"
"Sinban," or "Shimpan." |
| Ching Lo |
Chinese,
Acupuncture's twelve meridians of the body on which they
key points of treatment lie and which are associated with the
vital organs. |
| Ching Shien |
Spirit of vivacity
in the Chinese Martial Arts. |
| Chinmyo |
Japanese,
mysterious. |
| Cho Wa |
In the Japanese
Martial Arts, the harmonious mental and physical reaction while
at practice. |
| Choi
Yong |
Korean,
the name of a form used in Tae Kwon Do, Choi Yong is named after
General Choi Yong, Premier and Commander-in-Chief of the Armed
forces during the 14th Century Koryo Dynasty. Choi Yong was
greatly respected for his loyalty, patriotism, and humility.
He was executed by his subordinate commanders headed by General
Yi Sung Gae, who later becomes the first king of the Yi Dynasty. |
|
Chok
|
Thai, term used in Thai Boxing meaning to Fight. |
| Chong Bong |
Chinese,
see Bo. |
| Chon-Ji |
Korean,
the name of a form used in Tae Kwon Do. Chon-Ji means literally,
"Heaven and Earth." In the orient it is interpreted as the creation
of the world or the beginning of human history, therefore it
is the initial pattern learned by the beginner. This pattern
consists of two similar parts: one represents Heaven and the
other represents Earth. |
| Choong Dan |
Korean,
"Middle" or "center." Region of the body from
the neck to the waist, used to explain target areas. |
| Choong
Jang |
Korean, ,
the name of a form used in Tae Kwon Do, is the pseudonym given
to General Kim Duk Ryang who lived during the Yi Dynasty, 14th
Century. This pattern ends with a left hand attack to symbolize
the tragedy of his death at 27 in prison before he was able
to reach full maturity. |
| Choong
Mu |
Korean,
the name of a form used in Tae Kwon Do, Chung Mu was the name given to the great Admiral
Yi Sun Sin of the Yi Dynasty. He was reputed to have invented
the first armored battleship (Kobukson) in 1592, which is said
to be the precursor to the modern day submarine. The reason
for this pattern ending with the left-hand block is symbolize
his regrettable death. Checked by the forced reservation of
his loyalty to the king, Yi Sun Sin is reputed to have not been
given the chance during his lifetime to show his unrestrained
potential. |
| Choong Sim |
Korean, Center
of gravity. |
| Chop
Chui |
Cantonese, a punch-pushes low line then advances along
a higher line, allowing the resistance of the opponent's limbs
to aim for you. Used in the Jun
Fan Martial Arts. Sometimes referred to as the "Second
knuckle fist."
|
|
Choraked Faad Haang
|
Thai, term used in Thai Boxing meaning Turn kick, literally
"Crocodile thrashes its tail." |
| Choy Li Fut |
One of the most
popular southern Chinese Kung
Fu systems. Choy Li Fut is essentially a long-range form
of Chinese boxing that relies heavily on strong horse
stances and graceful yet dynamic long-handed techniques. |
| Chuan |
Chinese,
A general term used loosely to refer to a system of boxing,
although it does not apply to any specific style. |
| Chuan Fa |
The major Chinese
precursor of Karate. Most forms
of 20th century Chuan Fa are said to be descendants of Ch'ueh
Yuan's "170 hand and foot positions." |
| Chudan |
See Choong Dan. |
| Chudan Soto
Nagashi |
Japanese,
middle outside block or parry. |
| Chuen
Sao |
Cantonese,"Piercing
Hand" technique. |
| Chugyo |
A
Japanese term used to describe the principle of devotion
and loyalty, concepts prized in Shinto
and Bushido. |
| Chui |
Cantonese,
fist. |
| Chui |
Chinese,
Warning. Admonition by a referee in a match, short of actual
penalty. |
| Chuken |
Japanese,
The middle of the five players on a Kendo
team. |
| Chum Kil |
Korean,
"Seek to bridge the gap." |
| Chumbi |
Korean,
a command used in Tae Kwon Do, meaning to return to a ready
position. |
| Chung |
Cantonese,
Centerline; vertical; that which holds to center. |
| Chung
Chui |
Cantonese, vertical knuckle punch used in the Jun
Fan Martial Arts. This involves keeping the elbow close
to centerline in order to increase hip power generation, and
to maximize on trapping/deflecting
potential in the course of striking.
|
| Chung Do Kwan |
Blue wave school.
A Korean form of empty hand fighting founded by Won Kook
Lee in 1945. |
| Chung Ga |
Korean,
Augment. |
| Chung
Gong |
Cantonese,
centerline block. |
| Chung Sim San |
Cantonese,
cCenterline. |
| Chungmanio |
Korean,
a phrase used in Tae Kwon Do, "You are welcome." |
| Chunin |
Japanese,
Middle person. The second of three Ninja
military ranks designating the leader of a group of Ninja
on assignment. Those led by Chunin were the Genin;
those who obtained the assignment were the Jonin.
|
| Chusoku |
Japanese,
ball of the foot. |
| Chwa |
Korean, Left
or the left side. |
| Cikalong |
Bahasay Indonesian,
1. Cikalong is the name of a village who's Silat practitioners
tend to execute hard style throws and takedowns entering (Masuk)
from the outside position. 2. One of the 18 systems of Silat
comprising the Mande Muda Pencak Silat system. Terminology such
as styles or types of movements such as these are generally
indicative of village names or famas Silat teachers' names from
West Java. |
| Cimande |
Bahasay Indonesian,
1. The name of a village whose Silat practitioners were noted
for its superior use of the forearms and strong legs due to
leg strength developed by standing in the Cimande river. 2.
One of the 18 systems of Silat comprising the Mande Muda Pencak
Silat system. |
| Cinch |
English, A grappling
term, "Tighter and tighter" - To tighten one's grip
more securely, to close off space, or to close off the opponent's
ability to breath by leaning in with one's weight.
|
| Cinco |
Spanish,
Five. |
| Cinco
Teros |
From the Spanish,
"Five strikes" patterns used often in Lameco Escrima. |
| Cipecut |
Bahasay Indonesian,
1. A term used in Silat practice referring to the use of the
whip, sarong, and other flexible weapons. 2. One of the 18 systems
of Silat comprising the Mande Muda Pencak Silat system. |
| Circolazione |
Italian,
see Contra Cavatione. |
| Claymore |
(basket hilted)
a form of 18th century Scottish cut & thrust sword relative
of the Italian Schiavona. |
| Clinch |
English, The Clinch represents the act of closing
from striking or trapping
range, to a distance of inches, in such close quarters, takedowns
and throwing attacks become primary. This often involves being
hip to hip with one's opponent.
|
| Cob's
Traverse |
Retreating indefinitely
(running away, sometimes called the "ninth parry). |
| Cocobolo |
A type of dense hardwood native to the Philippines,
often used in the production of weapons for use in the Filipino Martial Arts. Like Kamagong,
Cocobolo is one of the densest, heaviest woods known.
|
| Coin |
French,
Corner. |
| Colichemarde |
Italian,
a style of small sword blade, wider at the forte for strong
parrying, then abruptly tapering for quick piercing thrusts.
Similar to the German Konigsmarke. |
| Colichemarde |
Italian,
A strong, stiff small sword used during the Renaissance,
with a blade that was wider near the hilt for parrying then
abruptly tapering to a thrusting point. This term is sometimes
used to refer to any blade with a triangular cross-section shape.
This blade type, due to its lightness is also considered to
be an instrumental predecessor to sport fencing techniques. |
| Colimpio |
Forward
and back swing/shifting footwork. |
| Combat |
French,
Full-power contest. |
| Commettere
Si Spada |
Italian,
(Commitment of the sword) The act of performing a trade, then
returning the sword on its original side. |
| Compasses |
Spanish,
fencing term, a term referring to the footwork used in the Spanish
Destreza. |
| Compound-Hilt |
English,
also referred to as Compound Guard
or Complex Hilt, a term
used to describe the various hilts of Renaissance and some late
Medieval swords consisting of more than a simple cross guard,
there were a great variety. |
| Compte |
French,
Count. |
| Contra |
Spanish,
Italian, To counter, go against, reverse. |
| Contra
Cavatione |
Italian,
fencing term, a circular parry or counter-parry. |
| Contrada |
From the Spanish,
a method of responding to a line of attack. Opposite, counter,
to match (not mirror), to oppose. |
| Contrapostura |
Italian,
adjusting your stance or guard so that your Forte
always defends the line between your body and the opponent's
tip. |
| Contraprinse |
Italian,
a fencing term referring to a rare, yet possible condition where
both combatants in a duel simultaneously clash in an attempt
to grab the other's sword, thereby exchanging weapons. |
| Contratempo |
Italian, (counter time) The action of beating the
opponent as he tries to take advantage of a tempo you create.
; he attacks (= "attack of tempo), but, by doing so he himself
makes a tempo; you are able to strike at him (with or without
parrying) and save yourself.
|
| Contre
Parries |
French,
fencing term, the Counter. |
| Controcavazione |
Italian,
(Countertrade) The act of nullifying the effect of an opponent's
trade by performing one of your own specifically, the action
of beating a Cavazione with an
opposite one, thus ending up to the side where your sword started. |
| Coquille |
French,
Box (Protector). |
| Corno Breton |
Also known as
Cornish wrestling, this form of grappling is very similar
to Japanese Judo. The most
significant difference is that a wrestler is not permitted to
go to the ground with an opponent, but must make the throw while
standing. |
| Corporation
of the London Masters of Defence |
he guild of
English instructors of fighting and fence in the 1500s, it had
four levels of fighter: Scholar, Free Scholar, Provost, and
Master, as well as four "Ancient Masters. |
| Corps |
French,
Body. |
| Corto |
Spanish,
Literally, Short, or close. |
| Corto
Mano |
From the Spanish, a term used in the Filipino Martial Arts to represent Short Range, where indirect
strikes, trapping
and close range strikes are predominant.
|
| Counterguards |
(literally:
postures to counter the opponent's guards). Fabris devotes two
whole chapters to the counterguard as one of the mainstays of
his style (chapter 4 on sword alone and chapter [3-deest] of
sword and dagger). According to Fabris, a counterguard (or counterposture)
is a subtle adjustment of any of the main guards made to ensure
that the line between the opponent's tip and one's body is completely
covered by the forte of the sword. Counterpostures are to be
formed outside the measure in order to ensure good defense once
the "danger zone is entered. Nicoletto Gigantiin his Chapter
1, plainly states that while inexperienced fencers stand in
guard, good ones stand in counterguard. Some Masters' idea of
a counterguard (e.g. Cavalcabo) is a guard itself rather than
its adjustment. For example, he advocates using the fourth guard
against a first, a second against a second, etc. By contrast,
Fabris and Alfieri can tailor most guards to oppose any posture
by the opponent by means of slight adjustments of the sword-arm
and the angle of the wrist. Regrettably, the concept of counterguards
is one of the most overlooked in modern rapier studies. |
| Coup |
French,
Blow or strike. |
| Coup
de Grace |
French,
a fencing term referring to the killing blow. Originally referring
to the dagger stroke given to mercifully end the suffering of
a wounded duelist (originally used to execute a defeated knight
in heavy plate armor). |
| Coup
de Jarnac |
French,
an early Renaissance term for a crippling blow to the back of
the opponent's exposed knee or hamstring (so called due to a
famous judicial duel, it was not a new strike at all, but did
become well known and quite notorious). |
| Coup
de Main |
French,
a kill by a single, smooth, quick thrust or cut. |
| Coup
de Pied Bas |
French,
(koo duh pyey BA) From Savate, a
low sliding kick, using the inside arch of the shoe to cut or
sweep at the opponent's ankle or shin, often targeting the inside
of the ankle. |
| Coup de Pied |
French,
Kick, blow of the foot. |
| Coup
de Pied Bas de Frappe |
French,
(koo duh pyey BA deh FRAP) A Coup de
Pied Bas which is used to strike the opponent's lead leg. |
| Coup
de Pied Bas Déséquilibre |
French,
(koo duh pyey BA dez-eh-kwee-LEEBR) A Coup
de Pied Bas which is used to strike the opponent's supporting
leg. |
| Coup de Poing |
French,
Punch, blow of the fist. |
| Coupe' |
French,
(cut-off) a quick disengage over the top of the adversary's
blade, often after their parry, basically a cut-over. |
| Cover |
English,
The learning position that you assume when you are being
pummeled. Effectively, Arms in to protect your body, hands up
to protect your head, chin tucked to prevent a broken jaw or
knock out, EYES OPEN (to find a way out of this mess)! Knees
flexed for balance and turned inward to protect the joints (all
three of them). |
| Crank |
English, In grappling,
to apply pressure to the opponent's neck causing pain and
discomfort, eliciting a movement response.
|
| Crochet |
French,
(kro-SHEY) A hook, a punch thrown so that the fist loops out
and then back in. |
| Crochet Bras
Arriere |
French,
Hook (punch) with the rear hand. |
| Crochet Bras
Avant |
French,
Hook (punch) with the front hand. |
| Croise |
French,
Crossed. |
| Croise |
French,
fencing term, referring to a lunging attack in which the rear
leg advances beyond the front leg. |
| Croisé |
French,
(crah-ZAY) A cross, a straight punch thrown with the rear hand
used to attack an opponent. The fist rotates so that the back
of the hand is horizontal. Generally stronger than a direct. |
| Croisé
Tête |
French,
(crah-ZAY tet) A croisé aimed at the opponent's head. |
| Cross |
English,
Boxing term referring to a punch thrown with the rear hand,
which traverses across the torso in its delivery, hence the
name "cross." |
| Cross
Lateralization |
|
| Cross
Stepping |
|
| Crossada |
Taken
from the Spanish, this is a method of blocking and thrusting
with two weapons, a term used in the Filipino Martial Arts. |
| Cruzada |
From
the Spanish, cross-block and strike, a method in the
Filipino Martial Arts. |
| Cuatro |
Spanish,
Four. |
| Cup
Chui |
Cantonese,
"Overhead Fist" technique. |
| Cup
Sao |
Cantonese,
"Scooping Hand" technique. |
| Cup-hilt |
a bowl like
sword guard similar to those on modern sport fencing epee's,
common in theatrical fighting, they did not first appear until
the 1650's in Spain. |
| Cut
& Thrust Sword |
form of "transition
sword from the heavier, wider Medieval blade to the thinner,
edgeless rapiers of the Renaissance, they were used for hacking,
slashing, stabbing, had compound hilts and employed fingering,
they were military blades that became popular for civilian use
until superseded by the rapier (other forms of later military
cut & thrust swords include the: schiavona, spadroon, cutlass,
mortuary sword, hanger, and saber). |
| Cut-Over |
altering the
line of the attack by passing the blade over the adversary's
point, basically a Coupe'. |
| Cuts |
in renaissance cut & thrust swordsmanship, there are 8 primary
cuts (diagonal, horizontal and vertical delivered up or down,
right or left, using primarily the true-edge).
These are blows of the edge as opposed to stabs with the
point. Depending on the circumstance and blade used, they
may or may not be intended as wounding actions. In order to
specifically classify a cut, Maestri tended to use all three
identifying criteria: general direction, specific direction
and delivery method (not unlikely biology's Family, Genus
and Species). For example, a wide swinging cut landing horizontally
on the opponent's right side should be classified as a riverso
tondo from the shoulder.
|