| L |
Glossary |
| La
Contra |
Spanish,
To meet a strike; A term used in Pekiti
Tirsia referring to training counter for counter in striking
and in locking. |
| La
Kon |
Thai,
"Goodbye." |
| La Seguida |
Spanish,
To follow a strike. |
| Labaha |
Blade. |
| Labahas |
Blades
(plural). |
| Labai |
A term from
the La Coste system of Kali, see Puter
Kepala. |
| Laban |
To
fight. |
| Labanang |
To
fight. |
| Labanang-Dikitan |
Close
quarters combat. |
| Labanang-Malapitan |
Medium
range combat. |
| Labanang-Malayuan |
Long
range combat |
| Laban-Handa |
Ready
stance. |
| Laban-Laro |
Combat
drills or "play fights." |
| Laban-Paluan |
Free-fighting,
sparring. |
| Laban-Sanay |
Combat
skills training. |
| Labas |
The
outside. |
| Labing-Isa |
Eleven. |
| Labo-labo |
An
"anything goes" fight. See Juego
Todo, Vale Tudo. |
| Lagusan |
Tunnel;
thrusting from under one arm within the structure of Sinawali. |
| Lakan |
The male black
belt rank in the Filipino Art of Arnis.
|
| Lakbay-Sinawali |
"The
Oddessey of the Double Weapons." |
| Langit at Lupa |
Heaven
and Earth. |
| Langka |
Footwork.
In Silat and other Indonesian Martial Arts, sometimes
spelled Langkha, referring
to the footwork drills designed to teach proper body mechanics. |
| Lansi |
To
confuse or misdirect. |
| Lansing-Sikad |
Spinning
snap kick. |
| Lansing-Tadyak |
Spinning
thrust kick. |
| Largo |
Long. |
| Largo
Mano |
From the Spanish, a term used in the Filipino Martial Arts to represent Long
Range, where large action, more powerful strikes are predominantly
used, and the opponent's hands are a primary target. |
| Largos |
From the Spanish,
Long. |
| Laro |
To play (as
in sparring). |
| Laro-laro |
Give and take
drills or training. |
| Larong |
To play. |
| Laslas |
To cut to shreds. |
| Lastiko |
From the Spanish,
a style of arnis that emphasizes bobbing & weaving to avoid
strikes. |
| Lathi |
Staff. An Indian
fighting art centered around a cane or bamboo staff about five
feet in length. |
| Lau
Sao |
Cantonese,
"Scooping hand; slippery hand" technique. |
| Lau
Sing Choy |
Cantonese,
Lateral Hammerfist Strike, akin in delivery to a Sat
Sao, but with a closed fist. |
| Lead |
One's Fighting
Stance, the leg/arm/side that one has forward. See Also: Front. |
| Lengua de Fuego |
Spanish,
a fast series of thrust & slash techniques. |
| Lie
Sao |
Cantonese,
Pulling hand; used in trapping, particularly in the Chi
Sao drill, this technique is a palm up pulling deflection,
open handed, using the edge of the thumb and wrist to dissolve
the force of a linear blow from the outside
line. |
| Lihim |
Secret. |
| Lihis |
To the side
or side-step. |
| Likos |
Twirl. |
| Lima |
Five. |
| Lima Lama |
Hand of wisdom.
An American Martial Art of Polynesian descent,
which is composed of a combination of movements stemming from
thirteen various Polynesian Martial Arts. |
| Lin Lop Sao |
Cantonese,
Cross pulling hand. |
| Lin Sil Di Da |
Cantonese,
Method of simultaneous block and hit. |
| Liu Gar |
A basic southern
style of Chinese Kung Fu
centered around close-range fighting. |
| Live
Hand |
A term used
in the Filipino Martial Arts. With a single weapon, it is the hand without a weapon,
with two weapons, it is the one with the shorter weapon, or
given equal lengths, the one that is not as active. The live
hand is used to create a momentary pause in the course of the
opponent's attack or limit their actions, so as to control their
actions. |
| Liyad |
To lean away. |
| Lobtik |
A slash, a strike
which pulls through its target. |
| Lock |
A manner of holding a limb or neck so as to cause great discomfort
and pain, while controlling the opponent's actions.
|
| Lock & Block |
Training drill
from Serrada Eskrima.
|
| Lohut |
A long, sabre-like
single edged sword that is one of the four main weapons indigenous
to the Central Philippines. |
| Long
and Short |
A term used in the Filipino Martial Arts to refer to the use of a long and a short
weapon simultaneously, typically Espada
y Daga, but also Olisi y Daga,
or Doble Olisi, Doble
Espada, etc.
|
| Loob |
The
inside. |
| Look
Sao |
Cantonese,
Rolling hands drill. Sometimes spelled Luk
Sao. |
| Lop
Gerk |
Cantonese,
Grab the Leg, seize the kick. |
| Lop
Sao |
Cantonese,
Pulling or Grabbing Hand, used in trapping |
| Lop
Sao Da |
Cantonese,
to Lop Sao and hit. |
| Loy |
Cantonese,
Inside. |
| Loy
Da |
Cantonese,
Inside Hit. |
| Loy
Ha Pak |
Cantonese,
Inside low slap. |
| Loy
Pak Sao |
Cantonese,
Inside line Pak Sao. |
| Lua |
Bone breaking.
The native Martial Art of Hawaii, now extinct, which was similar
to Japanese Jujutsu. |
| Lubad |
To blend. |
| Lubud |
To
blend. |
| Luma |
Old. |
| Lunga |
Italian,
to lunge, as with a foil, rapier,
epee, or other thrusting weapon. |
| Lusob |
Attack
or partner taking the offensive role in training. |
| Lutangto |
Float;
the unique forward and backward footwork of the Ilustrisimo
system. |